Film Art

by David Bordwell and Kristin Thompson

Part One MHHE MHHE 1 9 2002-11-04T19:36:00Z 2002-11-04T19:39:00Z 1 440 2510 The McGraw-Hill Companies 20 5 3082 9.2720 Part One Film Production, Distribution, andExhibition   Chapter One – Film Production, Distribution, and Exhibition Mechanics of the Movies Bringing the Film to the Spectator Independent Production and Mainstream Hollywood: The Case ofGood Machine Making the Movie: Film Production Modes of Production Notes and Queries   Part Two Film Form   Chapter Two – The Significance of Film Form The Concept of Form in Film Principles of Film Form Summary Notes and Queries   Chapter Three – Narrative as a Formal System Principles of Narrative Construction Playing Games with Story Time Narration: The Flow of Story Information The Classical Hollywood Cinema Narrative Form in Citizen Kane Summary Notes and Queries   Part Three Types of Films   Chapter Four – Film Genres Understanding Genre Three Genres A Contemporary Genre: The Crime Thriller Summary Notes and Queries   Chapter Five – Documentary, Experimental, and Animated Films Documentary Experimental Film The Animated Film Summary Notes and Queries   Part Four Film Style   Chapter Six – The Shot: Mise-en-Scene What is Mise-en-Scene Realism The Film Actor’s Tool Kit The Power of Mise-en-Scene Aspects of Mise-en-Scene Putting It All Together: Mise-en-Scene in Space and Time Narrative Function of Mise-en-Scene: Our Hospitality Summary Notes and Queries   Chapter Seven – The Shot: Cinematography The Photographic Image From Monsters to the Mundane: Computer-generated Imagery inThe Lord of the Rings Framing Duration of the Image: The Long Take Summary Notes and Queries   Chapter Eight – The Relation of Shot to Shot: Editing What Editing Is Dimensions of Film Editing Continuity Editing Intensified Continuity: L.A. Confidential and ContemporaryEditing Alternatives to Continuity Editing Summary Notes and Queries   Chapter Nine – Sound in the Cinema The Powers of Sound Rhythm on Two Tracks: A Dance of Death in The Last of theMohicans Fundamentals of Film Sound Dimensions of Film Sound Functions of Film Sound: A Man Escaped Summary Notes and Queries   Chapter Ten – Style as a Formal System The Concept of Style Analyzing Film Style Style in Citizen Kane Style in Gap-Toothed Women Style in The River Style in Ballet Mecanique Style in A Movie Notes and Queries   Part Five Critical Analysis of Films   Chapter Eleven – Film Criticism: Sample Analyses The Classical Narrative Cinema Narrative Alternatives to Classical Filmaking Documentary Form and Style Form, Style, and Ideology Notes and Queries   Part Six Film History   Chapter Twelve - Film Form and Film History Early Cinema (1893-1903) The Development of the Classical Hollywood Cinema(1908-1927) German Expressionism (1919-1926) French Impressionism and Surrealism (1918-1930) Soviet Montage (1924-1930) The Classical Hollywood Cinema after the Coming of Sound Italian Neorealism (1942-1951) The French New W
  • Published 2003-06-01
  • Length 560 Pages
  • Publisher McGraw-Hill Companies, The
  • Language
  • ISBN 9780072484557

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